DISCLAIMER
All Albums are up for a limited time and are for sampling purposes only. Music posted here is posted out of love, not with the intention for profit or to violate copyright.
13.2.10
Sufi Soul: The Mystic Music Of The Islam
31.10.09
Alison Moyet - The Best Of - 25 Years Revisited, CD1-2 (Deluxe Edition), 2009
- 1. Carry On
- 2. I Had The Love In My Eyes
- 3. Something Else Again
- 4. The Girl With April In Her Eyes
- 5. Just In Time
- 6. Carry On (reprise)
- 7. The Devil's Eye
- 8. It's Such A Long Way Home
- 9. Old-Fashioned People
- 10. Quiet Moments
- 11. Crusader: The Fall Of Jerusalem/In The Court Of Saladin/The Battlefield/Finale
- 12. You And Me
9.5.09
100 Best Film Classics Six Disc´s (2006)
Label: Cooperativ (Universal)Genre: ClasicalYear: 2006Quality: MP3 VBR ~160 kbpsPlaytime: 421:46 minTracks: 100Size: 500 Mb..:: TRACKLIST ::.. Disc 1 - The Great Blockbusters 01. Strauss - Also Sprach Zarathustra (Sunrise) (2001: A Space Odyssey) 02. Wagner - Die Walkuere - The Ride Of The Valkeries (Apocalypse Now) 03. Mozart - Requiem In D Minor K626 (Amadeus) 04. Horner - My Heart Will Go On (Titanic) 05. Barry - Main Theme (You Only Live Twice) 06. Williams - Main Theme (Star Wars) 07. Zimmer - Gladiator Theme (Gladiator) 08. Bizet - Les Pecheurs Des Perles - Au Fond Du Temple Saint (Gallipoli) 09. Mascagani - Cavalleria Rusticana - Intermezzo (The Goodfather III) 10. Shore - The Fellowship (The Lord of The Rings: The Fellowship of the Ring) 11. Williams - Fawkes The Phoenix (Harry Potter and The Chamber of Secrets) 12. Williams - Hymn To The Fallen (Saving Private Ryan) 13. Mozart - Divertimento For String Trio In E Flat K563 - III. Menuetto: Allegretto (Mission Impossible) 14. Dukas - The Sorcerer's Apprentice (Extract) (Fantasia) 15. Horner - End Titles (Braveheart)Disc 2 - The Classic Movies 01. Rachmaninov - Piano Concerto No.3 (Somewhere In Time) 02. Allegri - Miserere (Chariots of Fire) 03. Myers - Cavatina (The Deer Hunter) 04. Barber - Adagio For Strings (Platoon) 05. Mahler - Symphony No.5 in C Sharp minor (Death In Venice) 06. Newman - Any Other Name (American Beauty) 07. Williams - Main Theme (E.T.) 08. Williams - Main Theme (Schindlers List) 09. Morricone - Gabriel's Oboe (The Mission) 10. Mozart - Symphony No.25 in G minor K183 (Romeo & Juliet) 11. Verdi - Main Theme from La Forza del Destino Overture (Jean De Floerette) 12. Mozart - Eine kleine Nachtmusik - II. Romance (Alien) 13. Morricone - Love Theme (Cinema Paradiso) 14. Shostakovich - Jazz Suite No.2 - Watlz No.2 (Eyes Wide Shut) 15. Beethoven - Ode To Joy (A Clockwork Orange)Disc 3 - Favourite Movies 01. Mozart - Eine Kleine Nachtmusik (Ace Ventura: Pet Detective) 02. Mozart - Clarinet Concerto In A K622 (Out Of Africa) 03. Mozart - Concerto For Two Pianos In E Flat K365 (Amadeus) 04. Tarrega - Memories Of The Alhambra (Sideways) 05. Mozart - Flute & Harp Concerto In C K299 (The Joy Luck Club) 06. Pergolesi - Stabat Mater (The Talented Mr. Ripley) 07. Mozart - Ave Verum Corpus K618 (Lorenzo's Oil) 08. Mozart - Horn Concerto No.2 in E Flat K417 (JFK) 09. Schubert - String Quintet In C D956 (Carrington) 10. Mozart - Le Nozze Di Figaro - Overture (Runaway Bride) 11. Elgar - Cello Concerto In E Minor Op.85 (Hilary & Jackie) 12. Mozart - Symphony No.40 In G Minor K550 (The Living Daylights) 13. Elgar - Nimrod - Enigma Variations (Elisabeth) 14. Schubert - Symphony No.8 In B Minor D759 'Unfinished' (Minority Report) 15. Mozart - Eine Kleine Nachmusik - IV. Rondo (Here's Something About Mary) 16. Tchaikovsky - Swan Lake Act. II No.10 (Billy Elliot) 17. Holst - The Planets Suite - Jupiter (The Right Stuff) Disc 4 - The Piano At The Cinema 01. Nyman - The Heart Asks Pleasure First (The Piano) 02. Mozart - Piano Concerto No.21 (Elvira Madigan) 03. Chopin - 'Raindrop' Prelude (Face/Off) 04. Mozart - Piano Concerto No.20 (Amadeus) 05. Chopin - Waltz In C Sharp Minor (Private Benjamin) 06. Mozart - Rondo alla turca (The Truman Show) 07. Mozart - Piano Concerto No.25 (The Associate) 08. Mozart - Piano Sonata No.11 In A (A Beautiful Mind) 09. Beethoven - 'Moonlight' Sonata (Immortal Beloved) 10. Chopin - Nocturne In C Sharp Major (The Pianist) 11. Tchaikovsky - Piano Concerto No.1 (The Music Lovers) 12. Satie - Gymnopedie No.1 (What Lies Beneath) 13. Chopin - 'Minute' Waltz (Paycheck) 14. Beethoven - Fur Elise (Rosemary's Baby) 15. Chopin - Piano Concerto No.1 (The Truman Show) 16. Debussy - Clair de Lune (Ocean's Eleven) 17. Chopin - Polonaise No.6 In A Flat (Shine) Disc 5 - Opera At The Cinema 01. Bellini - Norma - Casta Diva (The Bridges Of Madison Country) 02. Verdi - Rigoletto - La donna e mobile (Captain Corelli's Mandolin) 03. Mozart - Cosi fan tutte - Soave sia il vento (Closer) 04. Verdi - Il Trovatore - D'amor ali rosee (Basquiat) 05. Mozart - Le nozze di Figaro - Non piu andrai (Tracing Places) 06. Puccini - Tosca - Vissi d'arte (Copycat) 07. Mozart - Cosi fan tutte - Un'aura amorosa (My Left Foot) 08. Mozart - Die Zauberflute Der Holle Rache (Miss Congenialty) 09. Mozart - Le nozze di Figaro - Canzonetta sull'aria (The Shawshank Redemption) 10. Giordano - Andrea Chenier - La mamma morta (Philadelphia) 11. Mozart - Don Giovanni - La ci darem la mano (Babette's Feast) 12. Puccini - Tosca - E lucevan le stelle (Heavenly Creatures) 13. Bizet - Carmen - Habanera (Callas Forever) 14. Puccini - La Boheme - Che gelida manina (Moonstruck) 15. Dvorak - Rusalka - Song To The Moon (Driving Miss Daisy) 16. Catalani - La Wally - Eben? ne andro lontana (Diva) 17. Offenbach - Les Contes d'Hoffmann - Barcarolle (Life Is Beautiful) 18. Puccini - Turandot - Nessun dorma (The Witches Of Eastwick) Disc 6 - Baroque Goes To The Cinema 01. Hnadel - Solomon - The Arrival Of The Queen Of Sheba (Four Weddings And A Funeral) 02. Bach - Toccata & Fugue In D Minor BWV 565 Fugue (The Aviator) 03. Handel - Zadok The Priest (The Madness Of King George) 04. Bach - Concerto For Two Violins In D Minor BWV 1043 (Children Of A Lesser God) 05. Vivaldi - Gloria In Excelsis Deo (Someone To Wath Over Me) 06. Bach - Viola Da Gamba Sonata In G Minor BWV 1029 (Truly, Madly, Deeply) 07. Albinoni - Adagio In G Minor (Gallipoli) 08. Vivaldi - Mandolin Concerto In C Rv425 (Kramer Vs Kramer) 09. Bach - Goldberg Variations BWV 788 - Aria (The Silence Of The Lambs) 10. Handel - Concerto Grosso Op.6 No.12 (Pirates Of The Caribbean: The Curse Of The Black Pearl) 11. Bach - Orchestral Suite No.3 In D BWV 1068 (Runaway Bride) 12. Pachelbel - Canon In D (Ordinary People) 13. Vivaldi - The 4 Seasons - Concerto No.4 In F Minor "Winter" (The Other Sister) 14. Bach - Jesu, Joy Of Man's Desiring - Cantata No.147 (Meet The Parents) 15. Handel - Sarabande - Keyboard Suite In D (Barry Lyndon) 16. Bach - Keyboard Concerto No.5 In F BWV 1056 (Lara Croft: Tom Raider) 17. Bach - Brandenburg Concerto No.3 In G BWV 1048 (Hannibal) 18. Handel - Messiah - Hallelujah Chorus (Briget Jone's Diary) ..:: DOWNLOAD LINKS ::..RapidshareDisc 01 Disc 02 Disc 03 Disc 04 Disc 05 Disc 06MegauploadLinks
14.3.09
Thekra Or Zekra ذكرى Collections
Early life She was the eighth youngest among her siblings Tawfeeq, Mohsin, Al Sayyidah, Salwa, Al Habeeb, Hajar, Kawthar and Wedaad. She attended elementary school in Wadi Al Lail and later transferred to to Al Khaznadar (Arabic script: الخزندار) elementary school to complete her studies. Career She started performing at school, her father was very supportive while her mother didn't accept it. After her father's death her mother started to support her as her brothers and sisters did. In 1980, she performed in the "Fan Wa Mawahib" (Arabic: فن و مواهب), which impressed the judges and Ez Al Deen Al Ayyashi noticed her, so she joined the show's chorus. In 1983 she had her first own song composed by "Abdul Hameed Khareef". In the same year, she performed at the Carthage festival. Later she joined the Tunisian Radio and TV National band, vocal group section and that's when she met "Abdul rahman Al Ayyadi" who composed many of her songs later. At the time Thekra was known with her powerful "voice" and her ability to perform any kind of Arab genres including "Qasa'ed", "Mowashahaat" and "Tarab" songs. Thekra in Egypt After her career in Libya, she moved back to Tunisia for a while but then she went to Egypt and begins her career to be known in the whole Arab World. In Egypt, she met the "Hani Mihanna" who produced 2 albums of her and they are "Wehyati Andak" in the year 1995 which was an instant hit in the Arab world, until then she was known in the West side of the Arab world only but after that album she became widely known all over the Arab world. Mr. Mihnna also produced her 2nd and last album with her which was "As'har Ma'ah Sertak" in the year 1997. Few months later of the year 1997 she released another album with a different producer which was "Al Asami" and in the year 2000 "Yana". Her last release album in Egypt was Youm Aleek in the year 2003 only 3 days before her murder! Her voice was very powerful and that's made the in Egypt notice her such as "Salah Al Sharnoobi" and "Hilmi Bakir". performed in Egyptian Arabic were:
- "Wehyati Andak" ( و حياتي عندك).
- "Mish Kol Hob" ( مش كل حب).
- "Youm Aleek" ( يوم عليك).
- "Bahlam Beloqak" ( بحلم بلقاك).
- "Al Asami" ( الاسامي).
- "Yana" ( يانا).
- "Ya Azeez Aini" ( يا عزيز عيني).
- "Law Ya Habeebi" ( لو يا حبيبي).
- "Ya Khofi" ( يا خوفي).
- Thekra (1998).
- Thekra 2(2002).
- Thekra 3 (2003).
- "Wish Maseeri" (2003).
- "Elain El Youm" ( الين اليوم).
- "Wainik Enta" ( وينك انت).
- "Ma Feeni Shai" (ما فيني شي).
- "Ahibbik Moot" ( احبك موت).
- "Ghayib" ( غايب).
- "Al Jarh" ( الجرح).
- "Qalaha" ( قالها).
- "Hatha Ana" ( هذا انا).
- "Al Mesafir" ( المسافر).
Sami Yusuf Discography
المعلم Meditation Supplication The Cave Of Hira2 The Creator Who Is The Loved One يامصطفى
Free حسبى ربى Make A Prayer Mother Muhammad Muhammad Part2 CD Bonus Munajat My Ummah My Ummah Intro Try Not To Cry We Will Never Submit CD Bonus يارسول الله
13.3.09
Nassima voie soufie
Arab-Andalusian artist Nassima has gathered works of the great Sufi masters, from lbn Arabi to the emir Abd el-Kader. She revisits almost a millennium of tasawwuf mysticism using newly composed music that dwells on the originals' quest for universal peace. These recordings, were made at the Institut du Monde Arabe in Paris, recorded live in concert.
Nassima, Algerian singer from Blida now lives in France. In this episode, it makes the honor of the Andalusian Sufi poets and the Maghreb. From Ibn'Arabi to Sheikh Khaled Bentounès (born 1949), through the Emir Abd el Kader itself, these are messages of peace and love, finely interpreted by Nassima and his musicians. Among them violinist Rachid Brahim Djelloul.
12.3.09
SHEIKH AHMAD AL-TUNI Live au théâtre de la Ville 1999
SHEIKH AHMAD AL-TUNI Live au théâtre de la Ville 1999 The Sultan of all Munshidin From High-Egypt
Between old poetry soufie and popular expressions called in the slang “its' îdi (of High-Egypt), the munshid, of village in village, sings Inshâd (hymn) and directs to its manner the dhikr or will hadra it, the ritual soufi which, in Egypt, is opened with all and with all. Ahmad Al-Tûni is originating in the village of Hawatka close to Assiout. At 70 years, it is one of largest the munshids of Egypt with Sheikh Yasîn Al-Tuhâmi and Sheikh Ahmad Barrayn At the time of spangled nights soufies, Ahmad Al-Tûni fascine a public which dedicates an admiration without terminals to him. It is necessary to have tasted with the tumult of the one of its evenings (layâli) to include/understand the impact of this singer. On the place of the village, a rudimentary scene was drawn up, some wood benches coupled or superimposed, of the garlands of electric bulbs as a lighting, an anarchistic sound system will be the center of this surge extatic. Will hadra public is open, creative, impromptu and can be as “chaotic” as our great masses rock'n'roll. Us here contrary to the rites closed of the brotherhood soufie (tariqa will hadra), them, more rigid and organized: public division spontaneously the divine joy with all and all will hadra. Thanks to constant vocal effects, an intelligent sequence of the poetic topics and rhythmic sequences (qafla-s), effects of scenes a little show-offs, Ahmad Al-Tûni jubilee. The irradiated face, it makes turn these heads and these bodies in the search of multiple fright. The voice which was spent to cause the extase at the time of thousands of evenings at the same time limpid and is erraillée. Ahmad Al-Tûni sings the inshad dini (Islamic hymn): this song includes/understands four different kinds: the ibtihalat (a supplication only sung by the soloist), the tawashih diniyya (religious poetry based on a melody exchange enters the soloist and the chorus), the qisas diniyya (sung and told religious stories) and especially the inshad Sufi containing the topics of the Islamic mystic. Musicalement, the hymn of today is in general like the fact notices Michael Friskoff (Sheikh Yasin CD length-distance) a reminiscence of the urban Arab music of before the Thirties. A small heterogeneous unit (takht) makes it possible each musician to maintain his own individuality with a flexibility which supports tasty modulations, sailing with ease of a mode to another. Thus, little by little, the munshid packed its unit. At the sides of instruments originally related to this song like the dûff, the naqrazân (copper percussion-drinking cup struck by rods), the reqq (small tambourine with cymbalettes) or the qawwâl (the flute), instruments as counted it Egyptian, the kamanga (Eastern violin), the oud or even sometimes the qanun made a timid appearance. The musicians who play these instruments are not inevitably of large virtuosos in the traditional direction of the term, more than one simple technique, one feels of their share a kind of devotion to carry and serve the voice of the singer. Old commoner of poetry, Ahmad Al-Tûni déclame as well the texts of old as of popular poetries, his only goal is to develop the emotional and aesthetic power tarab: a feeling, nowadays, if rare in the Arab music. Of his house of Hawatka, Ahmad Al-Tûni traverses Egypt and occurs more than 200 nights per annum at the time of organized gatherings soufis Aswan in Alexandria. Its charisma made of him one of the last large singers, of those of another time, where lyricism, the pleasure of the words had a direction, where the mystic love, the desire, the passion and the feeling of abandonment of the body, could be caused by the voice.
Press “White Turban and sipa (Moslem chain) with the hand (...), Sheikh Ahmad Al Tuni sings the devotion chocolate éclair with a voluptuseuse slowness, like a lament of love despaired, then déclame solemnly some stanzas before playing with the words, like a launched ball, caught up with, which one makes claquer and to whirl. Suddenly, it is let go to a sardonqiue burst of laughter and launches of the “Hey! Hey! ” or of the “Aïe! Aïe! ” which leads it to fright. With an impressive direction of the theatre and setting in scene, it captivates the listener, giving him in turn desire for crying or for dancing. ” E. AZOULAY - Télérama
Concerning the Vengo film of Tony Gatlif “(...) one will revive the scene of opening, a fantastic meeting between the guitar of Tomatito and the song soufi of the Egyptian Sheikh Ahmad Al Tuni. …” FX GOMEZ - Release