CD3: Pop & beyond
1. Hakim & Olga Tañón – Ya Albi
Egyptian shaabi superstar Hakim hooked up with Puerto Rican Queen of
Merengue Olga Tanon in a chateau in France at the behest of music mogul
Miles Copeland. Latin-American hip-hop star Kemo (Delinquent Habits)
joined the party and this fabulously infectious hit single was the result.
2. Cheikh DB Mix – Allaoui & Reggada
Allaoui is a type of dance from West Algeria used exclusively in Oran and Oujda,
and Reggada is a particular vocal style from the same region.
This is a cool fusion of both from the unlikely named Cheikh DB Mix.
3. Hanino – Cuite Ni
Hanino first came to prominence collaborating with the Bouchenak Brothers
on his debut album ‘Al Bardia’. Since then the Moroccan heartthrob
has made countless albums drawing on elements of raï, shaabi,
and reggada amongst others. This track is perfect slice of North African pop.
4. Nancy – Akhasmak Ah (We Might Quarrel)
Born in Asrafiyeh, Lebanon, in 1983, Nancy Ajram started her career
by covering the songs of Fairuz and Oum Kalsoum, before releasing
a debut album in her early teens. The title translates as “I’d get upset from you”,
and propelled her into superstardom plus a lucrative deal with Coca Cola.
5. Hasna – Marsoul Il Hob (Object Of My Affection)
With an intro hugely reminiscent of Panjabi MC’s ‘Mundian To Bach Ke’,
this is sensuous Arabic pop by beautiful Moroccan singer Hasna. A huge
hit across the Middle East, it was written by Moroccan musician
Abdel Wahab el-Doukali.
6. Najwa Karam – Bara’ah
Najwa Karam helped put Lebanese pop music on the map in the 1990’s.
A philosophy graduate, she released her first album ‘Ya Hahayec’ in 1989,
and has since won many admirers and countless awards, making her
one of the Arabic world’s best loved divas.
7. Yuri Mrakadi – Arabyon Ana (Circus mix)
One of the biggest stars of the moment, Lebanese singer Yuri Mrakadi
hit the ground running with the release of his debut album in 2001.
Frequently used by big multi-national corporations to help endorse their products,
his voice and looks mark him out as a very gifted - and corporate savvy - performer.
8. Beirut Biloma – Take Me To Beirut
Originally a huge club anthem entitled ‘Drive me to Beirut’ this remake
appeared on the debut album of Lebanese producer Mohamed Kebbe’s
current project Beirut Biloma. Arabic dance isn’t usually faceless,
but Kebbe relies on a host of singers and rappers to help
front his expansive productions.
9. Kadim Al Sahir – Baghdad (Kathora Al Hadeeth)
(Transglobal Underground alternative mix)
Iraqi heartthrob Kadim Al Sahir has often courted controversy.
At the start of his career he refused to sell out by singing manufactured pop,
and his first hit ‘Ladghat El Hayya’ in 1987 was a thinly veiled critique
of the recent Iran-Iraq conflict. Having studied traditional Arabic music
at Baghdad Music Academy his contemporary compositions have more
depth than most, as this rare Transgloblal Underground remix testifies.
10. Dar Beida 04 feat. Amina Annabi – Fet Li Fet
A studio collaboration between Swiss producer Pat Jabbar and Moroccan
artist Ahderrahim Akkaoui, Dar Beida (the Arabic name for Casablanca)
mixed trance, dub and chill-out sounds with traditional Moroccan music and raï.
On this track Tunisian chanteuse Amina Annabi sings of peaceful support for Palestine.
11. Azzddine with Bill Laswell - Srir F’al Houbb
Azzddine Ouhnine is a blind Oud player and composer from Rabat,
the capital of Morocco. Here he collaborates with various members of
his orchestra, alongside esteemed bass player Bill Laswell, to produce a
fine fusion of Moroccan dub and swooping Arabic strings.
12. Aisha Kandisha’s Jarring Effects - Lahbab
Underground Moroccan trance collective, Aisha Kandisha’s Jarring Effects,
were named after a mythical enchantress/she-devil and in the
early 90’s developed a considerable following in Europe.
This track sees them at the height of their powers, taken from the
cult album ‘Shabeesation’ which also featured Bill Laswell, Umar Bin Hassan
of the Last Poets, and P-Funk keyboardist Bernie Worrell.
Compilation and notes by Phil Meadley
Pass : WeLove-music (if needed)
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